Jazz Pianist Marian McPartland Dead at 95

by Eric Felten, Bernie Bernard

Marian McPartland, one of the best-known jazz artists in America, died August 20 in Port Washington, New York. She was 95. A musician who broke ground for women instrumentalists in the 1940s and ‘50s, she would later become best known as host of the long-running radio program “Piano Jazz.”

McPartland’s elegant approach to jazz gracefully spanned several major eras, from swing to bebop and beyond. Ms. McPartland brought the musical knowledge earned over decades playing in night-clubs to National Public Radio, where for more than 30 years she hosted “Piano Jazz,” a program that mixed conversation and performance with many of the world’s best musicians.

Born Margaret Marian Turner in Windsor, England, as a girl she took up piano. To her parents’ dismay, when she was 20 she left home to join a four-piano vaudeville act. On a tour playing for Allied troops during World War II she met American jazz trumpeter Jimmy McPartland. They married, and, after the war, moved to the United States. With her husband's encouragement, McPartland went on to lead her own small bands.

McPartland landed a steady job performing at a New York City jazz club, the Hickory House. She played there for eight years, and developed a reputation not only for her fine piano playing, but for her melodic original compositions. Her songs were recorded by singers such as Tony Bennett, Sarah Vaughan, and Peggy Lee.

At first, McPartland was so nervous about her songwriting she wouldn't take the credit for her own tunes.

"Years ago, I felt very insecure about writing songs, and I wrote one at the Hickory House," she said. "Somebody said, 'That's a nice song,' so then it was O.K. for me to say that I had written it. Isn't that sick?"

Starting in the 1960s, McPartland traveled to schools around the United States, encouraging students to develop an appreciation for jazz. She would use popular songs to introduce young listeners to the many sounds of jazz.

"I'll probably pick a tune that they know, something they've all heard, like the theme of [television program] 'M.A.S.H.,' for instance. They all know that. Then I'll do it another way, maybe like jazz, blues or something slow.  And I'll go through a whole thumbnail history of jazz. I'll do some boogie-woogie and so on, and really kind of grab them with that. But as long as you know tunes that they know, I think that helps a lot."

McPartland took that approach to the airwaves in 1979. Her weekly show, “Piano Jazz” became one of the most popular programs on public radio, airing across the United States for over three decades. Each week she would engage noted musicians in casual, relaxed interviews. She would take turns with her guests playing songs, and then would perform duets with them. Both in its music and its conversations, McPartland’s “Piano Jazz” expressed the core jazz virtue of improvisation.

The National Endowment for the Arts recognized McPartland as a “Jazz Master” in 2000. Four years later she won a special Grammy Award for her lifetime achievement. She continued to perform and broadcast into her nineties.

George Duke, Jack Clement, Marilyn King

In Memoriam

Last week, three music legends died.

67-year-old jazz keyboardist George Duke lost his battle with lymphocytic leukemia on August 5.  Last month, Duke released his final album DreamWeaver, which he recorded as a tribute to his wife who died one year ago.  The album reached Number One on Billboard’s Contemporary Jazz chart.

On August 8, 82-year-old “Cowboy” Jack Clement died at his Nashville home of liver cancer.  During his long career, Clement produced records for such artists as Johnny Cash, Eddy Arnold, Roy Orbison, Charley Pride, Louis Armstrong, U2, and many others.  Earlier this year, it was announced that Clement is among the latest inductees into the Country Music Hall of Fame.  The official induction for Clement, Kenny Rogers and Bobby Bare takes place on October 27. 

And, Marilyn King, the last surviving member of the King Sisters, died on August 7.  The King Sisters are credited with influencing generations of jazz vocal groups. They recorded some 150 records from the 1940s through the 1960s.

Remembering J.J. Cale

by Katherine Cole

Songwriter J.J. Cale was a guitarist who preferred to stay in the background and let others make hits of his songs, such as “After Midnight” and “Call Me The Breeze.”

Cale, 74, died on July 26 at a hospital in La Jolla, California. Cause of death was listed as a heart attack.

Cale was born in Oklahoma City and raised in Tulsa, Oklahoma.  He grew up in what he described as a vibrant, boom town. Oil had brought money to Tulsa, and workers from all over the world followed it. Their music came along, too.

“Tulsa is kind of in the middle of the United States and rhythm and blues and blues came out of Mississippi and kind of filtered up there and jazz coming out of the north, Kansas City was a big jazz hotbed in the ‘50s and late ‘40s, and Western swing, which is kind of a Country guy’s impression of swing music of, say, Glenn Miller and those kind of guys. So it was kind of a melting pot in there," Cale said. "Then rock & roll hit about 1956 or ’54, I guess. And I decided that was my kind of music.”

Influenced by all those different styles, Cale picked up a guitar and learned to play. After finishing high school, he performed in bands and began working as a recording engineer.  Cale was friendly with another Tulsa musician, Leon Russell, and the piano player soon convinced him to pack up his guitar and move to Los Angeles. In California, Cale continued working as a guitar player and made his first recordings, but they weren’t hits and he decided to return to Oklahoma.
       
In those days, Cale saw himself as a guitarist first and an engineer second. Songwriting wasn’t his career. In fact, he said, it wasn’t even something he put a lot of effort into. It was just something you had to do, if you were going to make an album.

In 1970, times were tough for Cale and he was about to give up music altogether. One night he turned on the radio and heard a song he had written, “After Midnight,” being sung by Eric Clapton. And suddenly, Cale was a hit songwriter.

“When Eric Clapton cut 'After Midnight,' he sold so many records and it was so big at the time, I decided that I would pursue the songwriting thing." Cale said. "I was 34 years old at that time. I’d been down the pike and back before I had any success at all.”

Soon, Cale was in Nashville, cutting “Naturally”, his most successful solo album, and a disc that featured his hit single, “Crazy Mama.”

While he went on to record more than a dozen solo albums and one Grammy-winning duet CD with Eric Clapton, he saw himself as a songwriter first and a performer second. 

“What my whole object was is not to really sell records. I was trying to sell songs," Cale said. "And instead of running around Nashville or New York or Los Angeles, knocking on people’s doors and trying to get them to cut my songs, we thought that making records would get the songs out there farther and it really did. So, my records really didn’t sell, but musicians started picking up on my sound and my songs and cutting my songs and that turned into a gold mine.” 

Other artists covering Cale’s songs include Dionne Warwick, Johnny Cash, Tom Petty, Carlos Santana, and The Band.

If you’re interested in hearing Cale sing his own songs, there is a newly-released boxed set containing five early albums. “The Road To Escondido,” his Grammy-winning blues duet album with Eric Clapton is another good choice. It’s a mix of originals and covers, including their take on the classic “Sporting Life Blues.”